Pendellim
video
Straight and Narrow
website
Move In Early 2013
video
King & Portland (Lights)
video
Trinity Bellwoods (Snow)
video
I'll Say It With Squares
website
Line Clock/Calendar
website
Uh, Yeah
video
I'm Thinking Of A Number
website
Queen + Peter
video
Ulysses Today
website
Symplex
audio
TD Centre, After Mark Lewis
video
10 Sunsets in 5 Minutes
video
Page-A-Day Calendar 2010
calendar
Ambulapse
video
And Now
video
A Stitch in Nine Saves Time
audio
The Centre Of The Universe
website
Versus 2
video installation
Restart
video installation
Versus 1
video installation
Traffic Light (London)
video
Loose Balance
interactive video
Music Reader
website
Empty Intersection (London)
video
Watched Pot
video installation
I Knew It
video
Green Toronto
video
xm - A YearMap
website
Two Verse, One Bridge
video
Two Walking
video
Reap This
audio
Lakeside
video installation
One Side Another
video installation
Scream
video
Misting
audio
The Counter of Babel
website
There's No Medium Like Show Medium
video
2(roads)
website
On Stone And Puddle
video
Come and Go
video
I Did It
video
Downsview to Finch
video
Page-A-Day Calendar 2005
calendar
Heineken Castle
castle
Blurry Steve
Hmm, it looks like your browser can't handle this stuff. In order to see video and hear audio, you'll either need a modern browser like Chrome or you need to install Flash.
Audio Only
buffering
Self Portait

I make video and interactive media art in Toronto. Born in 1979, grew up in London, Ontario, I completed a college diploma at OIART for audio engineering in 2001. After a short stint in a recording studio, I attended OCAD University and received my BFA in 2009. I have shown work at various film fests and galleries, including the Images Festival, Interaccess, Gallery 1313, and North End Studios.

Most of my work focuses on the perception and representation of time. Slow-moving, non-narrative scenes that translate the moments originally recorded to the moments spent reviewing. The anticipatory experience of watching the piece is an important relation to the content itself, and for this I try to give the viewer multiple points of entry: aesthetically, rhythmically, meditatively, etc. What does it mean to be in the now? How is it influenced by what just happened seconds or minutes ago? How do we know it is actually now? I don't often begin working on a piece with these questions in mind, but they invariably seem to surface before I'm finished.

steve@steveshaddick.com

 

Back to the work

You are using Internet Explorer

Internet Explorer was great around 2003. It probably continues to be great for certain specific uses. If you have no choice in the matter, or are just stubborn, no problem. This site will work fine.

For the full experience (of this and many, many other sites), I highly recommend you try another browser, such as Chrome.

Okay